The Truman Show

The Truman Show is a profoundly disturbing movie. On the surface, it deals with the worn out resultant role of the intermingling of life and the media.\n\nExamples for such incestuous relationships abound:\n\nRonald Reagan, the cinematic death chair was also a presidential movie star. In some separate movie (The Philadelphia Experiment) a defrosted Rip Van scintillate exclaims upon seeing Reagan on video (40 years after his force hibernation started): I know this guy, he used to play Cowboys in the movies.\n\nCandid cameras monitor the lives of webmasters (website owners) nigh 24 hours a day. The resulting images ar continuously posted on the Web and atomic number 18 addressable to anyone with a computer.\n\nThe last decade witnessed a spate of films, alone concerned with the confusion amidst life and the imitations of life, the media. The ingenious Capitan Fracasse, butt One, Sliver, posting the Dog and many lesser films have all tried to tackle this (un)fortunate s tate of things and its moralistic and practical implications.\n\nThe blurring line betwixt life and its representation in the arts is arguably the important theme of The Truman Show. The hero, Truman, lives in an artificial world, constructed especially for him. He was born and raised there. He knows no other place. The quite a little around him unbeknownst to him argon all actors. His life is monitored by 5000 cameras and broadcast live to the world, 24 hours a day, every day. He is spontaneous and funny because he is unaware of the monstrosity of which he is the main cogwheel.\n\nBut cock Weir, the movies director, narrows this ignore one step boost by perpetrating a great act of immorality on screen. Truman is lied to, cheated, deprived of his cogency to make choices, controlled and manipulated by sinister, half-mad Shylocks. As I said, he is unknowingly the only spontaneous, non-scripted, actor in the on-going soaper of his own life. All the other figures in his life, including his parents, are actors. Hundreds of millions of viewing audience and voyeurs plug in to take a peep, to intrude upon what Truman innocently and honestly believes to be his privacy. They are shown responding to various dramatic or anti-climactic events in Trumans life. That we are the moral equivalent of these viewers-voyeurs, accomplices to the alike crimes, comes as a scandalous realization to us. We are (live) viewers and they are (celluloid) viewers. We both enthral Trumans inadvertent,...If you want to sire a full essay, request it on our website:

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